How It Began Before It Ended: An Excerpt from WITHOUT SAINTS by Christopher Locke

It was two a.m. The Jetta was parked at the curb and I sat in passenger seat, top down. I felt vulnerable in the dark, uneasy with the city’s brick tenements and low sound. Directly overhead, a streetlight flickered like a dying brain. It was humid and I was dressed in shorts, a black t-shirt. I thought about my wife and daughter asleep back home and shifted my weight; my thighs stuck to the leather seats. 

I replayed the evening in my head: After dinner, I finished grading my students’ papers on Thoreau’s theory of needs vs. wants and reread five pages of Marquez’s 100 Years of Solitude for another class. I changed Grace’s diaper and handed her off to Lisa, kissing them both and saying I’d be back by 11:00 at the latest. I went to my car, did four bumps of coke off the house key, and squeezed my eyes shut until the stinging passed.

When I arrived at a party in town, I had some whiskey, a little more coke, and then another whiskey. A white kid with dreadlocks got angry because all the tiki torches outside made the lawn resemble a landing strip, burning a symmetrical pattern that made him furious somehow. He pulled them out of the ground, one at a time, and threw them sputtering into the pool. A glass table followed.

That’s when Billy showed up. And what we wanted was only twelve minutes away. We would look for Psychs again. My heart raced. On the way, we drank beer from red plastic cups and talked about our students; we worked at the same school. The latest batch of kids seemed more docile, Billy said. I mentioned how much I liked the new boy from Jersey and all his mad energy, the love for Emerson he professed in my English class. A quarter of the students we worked with were at the school for drug abuse, the others had social/emotional issues, learning disabilities, or a combination of all three. We were viewed as one of the best therapeutic boarding schools in the country. We counseled kids in three-days-per-week groups. Just the day before, I sat across from a girl and spoke in a soft tone as she held her head in her hands and sobbed. Her long red hair fell around her wrists like spun fire. “I can’t believe I’m here,” she choked. I know, I said. I know.

At graduations, I was always a favorite to speak on behalf of a graduating student. For example, I discussed how hard it’d been for ___________, that he’d overcome massive trauma. Back home, he saw someone get tied to a tree and then set on fire for not paying a drug dealer. The sound of that boy screaming woke him up every night. This young man learned, I said, to love his family, and himself, again. At the end of the speech, as with all my speeches, I cried. The student cried. His family and the other well-dressed families cried. “You can do this,” I said. We embraced and then, bravely, he went back into the world.

We found Psychs where we did last time, hanging out in front of the small, withered park downtown. He wore a red Chicago Bulls jersey, cargo shorts and was sitting indifferently atop a cement ledge. I don’t think he remembered us. As we drove him to the place, Billy asked if I could front the money for the heroin. I said I didn’t have the money, thought he had it.     

“What,” Psychs said from the back. “You ain’t got the fuckin’ money?”

“No, no, we’ll get it,” I promised. “Where’s that ATM machine around here?”

The last time we did this, which was also the first night we ever met Psychs, we managed to do the exact same thing: try and score heroin without remembering the money. “It’d be a bad night to get knifed,” Psychs said then, and I pictured a cartoon Arabian sword being pushed through the seats and into our backs, Psychs rolling our stupid corpses out onto the curb. “Stay in the suburbs,” he’d say as he drove off in the Jetta.

This time, after collecting one hundred dollars from the ATM, we pulled up in front of the apartment and Billy turned to Psychs. “Don’t give us any of that white boy shit,” he said. “We want the normal dime bags, ten of them.”

 “Hey, don’t fucking talk to me,” Psychs said. “Just give me the money.” He took the five twenties, quickly exited the Jetta and crossed the dark street, disappearing like a spider down a flower’s throat. I was starting to feel hung over and the coke had worn off.

Silently, Billy and I waited ten minutes.

“That motherfucker better not screw us,” Billy said. A car moved softly down a cross street, left no evidence that it had ever been there.

“Fuck it. I’m going in.”

“In? In where,” I asked.

“Don’t worry, I’m just gonna see if he’s in the stairwell or something.”

Billy left and I sat in his Jetta alone.

I kept waiting for the police to roll up behind me with their spotlight blinding the mirror, their careful approach to my door as they asked to see my hands.

I could feel sweat prickling the back of my neck.

Someone came out of the building and walked with great purpose towards me.

Billy opened the door and hopped in. “Hold these,” he ordered. I looked at my hands and counted ten small plastic bags. He started the car and we drove off.

“I already had a taste,” he said, sliding the Jetta smoothly into third gear. “It’s fucking amazing.”

And I believed him because what other choice did I have?

Christopher Locke

Christopher Locke was born in New Hampshire and received his MFA from Goddard College. His essays and short fiction have appeared in The North American Review, The Sun, The Rumpus, Slice, JMWW, SmokeLong Quarterly, Barrelhouse, and Atticus Review, among others. He won the Dorothy Sargent Rosenberg Poetry Award, as well as grants in poetry from the Massachusetts Cultural Council and the New Hampshire State Council on the Arts. 25 Trumbulls Road, his first collection of fiction, won the Black River Chapbook Award. His latest collection of poetry Music For Ghosts (NYQ Books) was released in 2022. Chris lives in the Adirondacks and teaches English at SUNY Plattsburgh and North Country Community College.

Previous
Previous

Observant Eye: A Review of Stelios Mormoris’s THE OCULUS

Next
Next

Fragile Threads, from Earth to Sky: A Conversation Between Cindy Rinne and Toti O’Brien